cat-festi

B. Brovtsyn, A. Grosz, B. Teh Engstroem, D. Blendulf, J. Swensen, D. Kozhukhin
05.09.26 > 19:30

> Black Box | Pôle Musique

Description

For health reasons, Janine Jansen and Nikola Meeuwsen, who were originally scheduled to perform in this concert, have unfortunately had to withdraw from the programme. We wish them both a speedy recovery. Nevertheless, the concert will go ahead with an adapted line-up and programme, as outlined below.

 

 

Boris Brovtsyn, violin

Amihai Grosz, viola

Blythe Teh Engstroem, viola

Daniel Blendulf, cello

Jonathan Swensen, cello

Denis Kozhukhin, piano

 

From Beethoven to Kodály, this concert spans three eras and three distinct musical worlds, from the first stirrings of Romanticism to the bold innovations of modernity, via the passionate lyricism of Brahms.

 

In 1797, at the age of twenty-seven, the young Beethoven composed the Three String Trios, Op. 9, which he considered at the time to be « the best of my works ». Remarkably accomplished in their writing, they already foreshadow the genius of his future string quartets. The third trio, in C minor, stands out for its dramatic intensity, anticipating the expressive world of the Fifth Symphony. A tense and energetic opening movement gives way to an Adagio of great serenity, followed by a sharp-edged Scherzo and a final Presto of swirling scales, brought to a close with a touch of humour.

 

It was also as a young man that Johannes Brahms composed his First Piano Quartet in G minor, a masterpiece of Romantic chamber music. Almost symphonic in scope, the work alternates between passion, lyricism and virtuosity. After an Allegro charged with constant tension, the Intermezzo introduces on the violin a motif often associated with Clara Schumann. A luminous Andante con moto leads into the celebrated Rondo alla Zingarese, inspired by Hungarian folk music and a veritable fireworks display of virtuosity.

 

A true revolution in the cello repertoire, Zoltán Kodály’s Sonata for Solo Cello, Op. 8, composed in the midst of the First World War, pushes the technical and expressive boundaries of the instrument. Drawing on his research into Hungarian folk music, it combines popular rhythms and innovative harmonies with extraordinary virtuosity. By tuning the cello’s two lowest strings down by a semitone, Kodály further expands its sonic palette, making this work one of the pinnacles of the solo cello repertoire.

 

What if the chamber music didn’t end there ? After this concert, which is almost sold out, continue the journey with the Church Trail on 6 September. Conceived by Janine Jansen, this exceptional evening brings together three consecutive chamber music concerts in three churches across Sion, offering a unique immersion into a repertoire that is as intimate as it is moving. (Route A or B)

 

Romane’s Preludes at 18:30 in Pôle Musique | Room B114 *

 

Are you passionate about classical music, intrigued by it, or does it feel like a foreign language? Sharpen your ears, awaken your curiosity, and join one of the Preludes led by our specialist. Enjoy 30 to 40 minutes of guided listening, context, discussion, and presentation in French. Six of our concerts are preceded by a free introductory talk. These engaging and welcoming sessions, open to all audiences, will take you to the heart of the music. One guiding principle: enjoyment!

 

*Romane Carbonnel, pianist, graduate of the Haute École de Musique Vaud-Valais-Fribourg (HEMU)

Programme 

L. v. Beethoven String Trio in C minor, Op. 9 No. 3 

I. Allegro con spirito

II. Adagio con espressione
III. Scherzo. Allegro molto e vivace – Trio
IV. Finale. Presto

 

Z. Kodály Sonata for Solo Cello, Op. 8 

I. Allegro maestoso ma appassionato

II. Adagio (con grand’ espressione)
III. Allegro molto vivace

 

J. Brahms Piano Quartet No. 1 in G minor, Op. 25

I. Allegro

II. Intermezzo. Allegro ma non troppo — Trio. Animato
III. Andante con moto
IV. Rondo alla Zingarese. Presto

Artists

Concert venue

Map Unavailable
Black Box | Pôle Musique
Rue du Rawil 47
1950 Sion
Switzerland